In 1978, the inhabitants of a small village in Iran called Zalava claim there is a demon among them. Massoud, a young gendarmerie sergeant, who investigates this claim encounters an exorcist attempting to rid the village of the demon. When he arrests the exorcist on charges of fraud, the villagers fear and anger escalates. Massoud and his love interrest, a government doctor, soon find themselves trapped in a cursed house, surrounded by villagers who believe they are both possessed by the demon.
Placement or Displacement -- The Iranian diaspora has witnessed an influx of immigrants to countries all over the world, some have gone on to build new lives and some have since returned, but they all share an inexplicable longing.
Making Space: Women and Freedom of Movement -- An examination of freedom of movement in films by Iranian filmmakers and the role that gender plays in the access and experience of space within Iranian society.
A hospitalized, critically ill physicist, working on a theory about black holes and the end of the world, meets a rather eccentric hospital housekeeper named TiTi. Though single, TiTi is acting as a surrogate mother for an infertile couple in order to serve humanity and raise money to build a small room of her own. When the physicist falls into a deep coma, TiTi, raised by Iranian gypsies and possessing supernatural powers, performs a strange ritual to save him. This is the start of an odyssey; an odyssey that changes their lives forever.
I am the product of Iran’s struggle between secularism and the Islamic ideology. My
parents’ love story takes us from the Shah era to the Islamic Revolution and the hardships during the Iran-Iraq War, up to the present day – all in our home in Tehran. In my childhood, I was constantly forced to choose between my parents; each day, I endured imposition from one side and acceptance from the other.
A love story, two different beliefs, a family in the turmoil of Iran’s modern history.
Forty years ago, during the uprising to overthrow the Shah’s regime in Iran, protestors set fire to movie theatres as a way of showing opposition to Western culture. Many cinemas were burned down. In one tragic case, a theatre was set on fire with four hundred people inside, most of whom were burned alive.
Forty years have passed and, in contemporary Iran, four individuals also decide to burn a cinema down. Their intended target is a theatre showing a film about an unearthed, unexploded missile. Will past and present meet?
Set in contemporary Iran, Facing Mirrors is a story of an unlikely and daring friendship that develops despite social norms and religious beliefs. Although Rana is a traditional wife and mother, she is forced to drive a cab to pay off the debt that keeps her husband in prison. By chance she picks up the wealthy and rebellious Edi, who is desperately awaiting a passport to leave the country. At first Rana attempts to help, but when she realizes that Edi is transgender, a dangerous series of conflicts arises. Directed by Negar Azarbayjani, Facing Mirrors is the first narrative film from Iran to feature a transgender main character.